Education

2001 New York University, Center for Advanced Digital Applications, certificate in Computer Animation

1983 Columbia University Graduate School of Architecture, M.S.

1978 New York University, Art History, Suma Cum Laude, Founder’s Award, B.A.

Academic Experience

2007-09: Visiting Artist, School of the Art Institute, Chicago, IL

2007-03 Visiting Digital Artist, Sarah Lawrence College, Bronxville, NY

Awards

2006 Pratt Institute Faculty Development Grant

2005 BRIC (Brooklyn Information Culture)/Rotunda Gallery Media Residency

1999-04 Elizabeth Foundation, subsidized studio, NY, NY

1996 Kunstfonds Bonn (with Nautilus Verlag), Bonn, Germany

1995 Stiftung Kulturfonds (with Kathrin Becker), Berlin, Germany

1994 Frauen Stipendium, Senate, Berlin, Germany Stiftung "Luftbrückendank" Foundation Grant, Berlin, Germany

1993 Arts International Collaborative Works Program, supported by the Annette Kade Endowment Fund

1992 Künstlerhaus Bethanien, Berlin

1992 La Base Centre d'Art Contemporain, Paris

1991 American Center, Cité Internationale des Arts, Paris

1989 National Endowment for the Arts, Visual Art Fellowship, Works on paper

Solo Exhibitions and Projects

2009 bitforms gallery, NY, NY, May

2008 “Ophelia,” scologram project with art-n and Ellen Sandor, Kasia Kay Gallery

2007 “Machina,” animated video installation, Catharine Clark Gallery, San Francisco, CA

“Machina,” animated video installation, PS 122, NY, NY
“A Child’s Machiavelli,” Project Space, Andrew Edlin Gallery, NY, NY, curated by Michele Thursz,

2003 “Braingirl, E, and Pussyweeval”, two person show with Marina Zurcow, Bitforms Gallery, NY

“Save Me”, public intervention, animated LED billboard, Pittsburgh Cultural Trust

2000 "Playworld 2000" collaboration with Sam Samore, Clinica Aesthetica Gallery, NY, NY

1999 "Over the Hills and Far Away," Sandra Gering Gallery, NY, NY

1998 residency and exhibition, Beaux Arts, Nimes, France

"The Beast Inside Us", collaboration with Sam Samore, The Center for Contemporary Art, Geneva

"A Child's Machiavelli," The John Hansard Gallery, Southhampton, London

"Romeo and Juliet," residency and production, Banff, Alberta, Canada

1997 "Dr. Faustie's Guide to Real Estate Development," Shift Kunstverein, Berlin Galerie Sylvia Steinek, Vienna

"Beauty And the Beast", residency and edition, the Villa Arson, Nice

1996 "A Child's Machiavelli: Deutscher Remix", Galerie Wohnmachine, Berlin

"Dr. Faustie's Guide to Real Estate Development", Contemporary Art Gallery, Vancouver, Canada

1995 "Bild-Malerei: Positionen in Berlin: Claudia Hart", group catalog, Galerie Wohnmaschine, Berlin

"Claudia Hart presents the Institute of Theore(c)tical Painting presents Claudia Hart", Galerie Laage-Salomon, Paris

"A Child's Machiavelli", with catalog, "Kunstlerhaus Am Acker" e.V., produced by the Realismus Studio, Neue Gesellschaft für Bildende Kunst, Berlin

"A Child's Machiavelli", Galerie Christian Gögger, Munich

1994 "The Institute of Theore(c)tical Painting", with catalog, project from June 1994 - June 1995, Likorfabrik, Kunst-Werke, Berlin

"Not an Angel", Galerie Blancpain Stepczynski, Geneva

1993 "New World Order", Tanit Galerie, Cologne and Munich

"Not an Angel", Künstlerhaus Bethanien, with catalog, Berlin

1992 Galerie Laage-Salomon, Paris

Dennis Anderson Galerie, Antwerp

Galerie Volker Diehl, Berlin

1991 "The Contingency of Selfhood (the artist as Byron)", Galerie Thaddaeus Ropac, Paris

"The Grotesque", Tanit Galerie, Munich

1990 Lino Silverstein, with catalog, Barcelona,

Greenberg Gallery, Saint Louis

"The Contingency of Selfhood (the artist as Rousseau)", Pat Hearn Gallery, New York

1989 Barbara Krakow, Boston

Pat Hearn Gallery, New York

Group Exhibitions

2008 “Future Cinema,” curated by Steve Deitz, second biennial, Zero1, San Jose, CA

“Esquire House,” curated by Steve Sacks, September, LA, CA

“Avatar,” curated by Malcom Smith, Australian Centre for Photography, Padington, Australia

2007 “Video Projects,” Catharine Clark Gallery, San Francisco, California, January

“Meme: Romanticism,” The Elizabeth Foundation Gallery, curated by Michele Thursz,, NY, NY

"Notions of Wilderness," Kasia Kay Art Projects (KKAP), Chicago, IL, curated by Catherine Forster

3D real-time set for “mech[a}OUTPUT,” Noh Ballet by Koosil-Ja Hwang, Japan Society, NY

“En Plein Air: Reloaded,” Black and White Gallery, New York, NY

2006 “Gendertopia,” Teknikunst Media Arts Festival, Melbourne, Australia, December 2006

“Creatures+,” Art and Architecture Gallery, Riverhead, NY, November 2006

“MUX,” Media Festival, Polytechnic University Integrated Digital Media Institute and Parsons Design + Technology, Brooklyn, NY, November 2006

“Risky Business,” PPOW Gallery, NY, NY

“Embodied Technologies /Technologized Bodies,” Art Interactive, Boston Mass, Fringefest, LA, CA, Silverlake Film Festival, Arclight Cinema, LA, CA

“Can We Fall in Love with a Machine,” curated by Claudia Hart, Wood Street Gallery, Pittsburgh,

2005 “Time’s Arrow”, Curated by Janine Cirincconi, Rotunda Gallery, Brooklyn, NY

Margaret Mead Film Festival, curated by Kathy Brew, Museum of Natural History, NY

“Post Everything,” curated by Janine Cirincioni, Rotunda Gallery, Brooklyn, NY

Seventh International Digital Art Exhibit and Colloquium, Havana, Cuba

“Natural Reflections,” curated by Pam Winfrey, Exploratorium, San Francisco, CA

2004 “Allure Electronica”, curated by Murray Horne, Wood Street Gallery/Pittsburgh Cultural Trust

2003 “Animations”, Curated by Carolyn Christov-Barkargiev and Larissa Harris Kunstwerke, Berlin

“Engaging Characters”, Curated by Kathy Brew, Art Interactive, Boston

2002 “Fetish: Human Fantastic”, Michele Thursz/Post Media Network, BorosanGallery, Istanbul
“Power Ballads”, Rupert Goldsworthy Gallery, NY, NY

2001 “Animations”, PS1/MOMA, Curated by Carolyn Christov-Barkargiev, Larissa Harris Long Island City, NY

“Interactive Domains”, Wood Street Galleries/Pittsburg Cultural Trust, Pittsburg, PA

“After-Effects,” Centre d’Art, Neuchatel, Switzerland

“Pixerina Witcherina”, Curated by Bill Congor, University Galleries, Illinois State University

2000 "Rosaceleste," de.geneere, Bolgona, Italy

"Narcisse Blessé: autoportrait contemporain 1970-2000," Passage de Retz, Paris

"Beyond the Walls," the Speed Art Museum, Louisville, Kentucky

1999 "Pink is for Boys, Blue is for Girls," NGBK Kunstverein, Berlin, Germany

"Machiavelli für Kids," Museum in Progress Animated Billboard and newsprint (Der Standard), Vienna, Austria, (August)

"Hitchcock," Kunsthalle Tirol, Innsbruck, Austria

1998 Exit Festival, Maison des Arts, Creteil, France

Maubeuge Festival, Le Manege, Maubeuge, France

'For An Ecology of Media', Astarti Festival, Paris, France

1997 Biennale of the Moving Image, Saint-Gervais, Geneva, Switzerland (catalog)

"Art Club Berlin," Art Forum Berlin, Germany

"Shift", Galerie Fricke, Dusseldorf, Germany

"die Treffsicherheit seit Weerndl", Kunsthalle.tep.Steyr, Steyr, Austria (catalog)

"Little Explorers (project/Bricks & Kicks)", W 139, Amsterdam, Holland

"Little Explorers," Bricks and Kicks, Vienna, Austria

Triennale Greiz 1997, Charicature and Cartoon and Comic Drawings, Foundation Altern Linie des Huases Reuzz, Museum Sommerpalais, Greiz, Germany

L'Auto Expo, the car of Laurence Hazout, Paris, France

1996 "double vie double vue", Foundation Cartier pour l'art contemporain, Paris (catalog)

"Curated By (Julius Deutschbauer)", Galerie Sylvia Steinek, Vienna

"Pop Mix, Volume One", Neue Berliner Kunstverein, Berlin (catalog)

"Bild, Malerei", Schloss Plüschow, Mecklenburgisches Künstlerhaus, Plüschow, Germany (catalog)

"Fairy Tales Always Have a Happy Ending", Fonds Regional d'Art Contemporain de Haute Normandie, Rouen, France (catalog + "Machiavelli a l'usage des Enfants")

"sur l'humour et la performance", La Centrale (Galerie Powerhouse), Montreal, Canada

"Jahresgaben 1996", Kunstverein Arnsberg, Arnsberg

Galerie Samuel Lallouz, Montréal,Québec

1995 "I is Another", Kunst-Werke, Berlin

1994 "Out of America", Amerika Haus, Berlin

"Post-Conceptual Painting", Kunst-Werke, Berlin (with catalog)

"Jim Croak, Claudia Hart, Tishan Hsu", Galerie de la Tour, Amsterdam

"Le saut dans le vide", Central House of Artists, Moscow

1993 "Love Again," Kunstraum Elbschloß, Hamburg (with catalog)

"Minimal Curating," Städtisches Kaufhaus (temporary Kunsthalle), Leipzig

"Institute of Theorectical Painting," Rainer Borgemeister, Berlin

"A Discourse on the Emotions," Galerie Volker Diehl, Berlin

"Six Weeks in Brussels," Lukas & Hoffmann, Brussels

"Sie nennen es Liebe," Neue Gesellschaft für Bildende Kunst, Berlin

1992 "Informationsdienst," Künstlerhaus Stuttgart, Germany

1991 "Vertigo, the Remake," Thaddaeus Ropac Gallery, Salzburg

"Salon des Jeunes," Montrouge, France

Permanent Collection, Museum of Modern Art, New York

1990 "Vertigo," Thaddeus Ropac Galerie, Paris

"Structures," Deson-Saunders Gallery, Chicago

"Invitational Group Show," Althea Viafora Gallery, New York

"The Age of Information," Andrea Ruggieri Gallery, Washington D.C.

"Spellbound," Marc Richards Gallery, Los Angeles

"Information," Terrain Gallery, San Francisco

1989 "A Good Read: The Book as Metaphor," Barbara Toll Fine Arts, New York

"The Silent Baroque," Thaddeus Ropac Gallery, Salzburg

1988 "The Inside and the Outside," Rhona Hoffmann Gallery, Chicago

"Complexity and Contradiction," Scott Hanson Gallery, New York

Group Exhibition, Massimo Audiello Gallery, New York

"Art at the End of the Social", Rooseum, Malmo, Sweden

"Utopia/Dystopia": Scott Hanson Gallery, New York

Group Show, Pat Hearn Gallery, New York

"Notations on the Virtual," Loughelton Gallery, New York

"Walk out to Winter," Bess Cutler Gallery, New York

Theoretical and Curating Projects

2007 "On Can Geeks be Humanists?", from Art in the Age of Technological Seduction, Media-N: The Journal of the New Media Caucus, Peer Reviewed and Invitational Journal of Digital and Media Arts, January 2007

"Can Geeks be Humanists?", Paper presented on New Media Caucus Panel of 2007 College Art Association New York Conference, February 2007

2006 “Lynn Hershman: Personas and Personalities” volume 17, Aspect: The Chronicle of New Media Art

“Can We Fall in Love with a Machine: The Theme of Pygmalian in the Age of Simulation,”
Panel organized for 2006 College Art Association Boston Conference, and editing of papers for catalog for: “Can We Fall in Love with a Machine”, exhibition at Wood St. Galleries, Pittsburgh

2005 “Virtual Sex: The Female Body in Digital Art,” with Claudia Herbst, Paper Presented at 2005 College Art Association Atlanta Conference

“Virtual Sex in Jesusland,” with Claudia Herbst, for special Jesusland issue of Bad Subjects: Cultural Studies Journal, Iowa State University

2002 “Allure Electronica”, co-curating exhibition with Murray Horne, gallery director. and catalog editing, Wood Street Galleries, Pittsburgh

The Institute of Theore(c)tical Painting: collaborative project with Katrin Becker, with catalog published by Kunst-Werke Berlin
Curated exhibitions, Kunst-Werke Berlin:

1995 "Curiosities", Mina Totino
"I is Another"
"A Sense of Reality: Caroline Dlugos & Laura Kikauka"

1994 "Nekrorealismus: Evgenij Jufit"
"Post-Conceptual Painting"
"The Sex Paintings", Attila Richard Lukacs
"Kids Fantasy Cakes"

1993 "Love Again," with catalog, Kunstraum Elbschloss, Hamburg
"A Discourse on the Emotions," Galerie Volker Diehl, Berlin
"Building, Dwelling, Thinking, Feeling: An Exhibition Presented by The Institute for Theorectical Painting," Rainer Borgemeister, Berlin

1983 "A House on the Borderline," White Columns, New York

BIBLIOGRAPHY

Illustrated Books

2003 My Animal Friend, children’s book, Montessori, Korea

1998 A Child's Machiavelli, Penguin Editions, New York
Un Machiavel a usage des enfants, Abbeville Press, Paris

1997 Un Machiavel a usage des enfants, Frace de l'Haute Normandie, France

1996 A Child's Machiavelli: "Machiavelli für Kids", Nautilus Verlag, Hamburg text by Harald Fricke
Dr. Faustie's Guide to Real Estate Development, ("Dr. Fausties Tips und Tricks "), Nautilus Verlag, Hamburg , text by the author

Personal Catalogs

2006 “Can We Fall in Love with a Machine?” editing and curating, Wood Street Galleries, Pittsburgh

2004 “Allure Electronica,” editing and curating, Wood Street Galleries, Pittsburgh

1997 "Not an Angel", Vancouver Contemporary Art Gallery, Vancouver, Canada, text by Peter Culley

1996 "Un Machivel a l'Usage des Enfants", Frac l'Haute Normandie, Rouen, France
"pop mix volume one", Neuer Berliner Kunstverein text and interview with Kathrin Becker

1995 "Bild-Malerei: Positionen zur Malerei in Berlin", Galerie Wohnmachine, Berlin text by the artist.
"The Institute of Theore(c)tical Painting", Kunst-Werke Berlin, texts by Kathrin Becker, Olaf Westphalen and the artist,
"A Child's Machiavelli", Neue Gesellschaft für Bildende Kunst, Berlin

1994 "Love Again", Kunstraum Elbschloss, texts by the artist

1993 "New World Order," Künstlerhaus Bethanien /Galerie Tanit, text by Katharina Karrenberg

1991 "Vertigo," Galerie Thaddaeus Ropac, Paris, text by Christian Leigh
"Claudia Hart," Lino Silverstein Gallery, Barcelona, text by Jerry Saltz

1989 "Viennese Divan: Sigmund Freud Nowadays," Museum of the 20th century, Vienna, text by the artist as Theodor von Kunstadt

Artist's Writings (Catalogs and Text-works)

1997 "Transit", Department aux arts plastiques, Ecole de Beuax Arts, Paris, France, catalog
"Nadine Norman", La Centrale, Montreal, catalog

1996 A Child's Machiavelli
German: "Machiavelli für Kinder" Nautilus Velag, Hamburg,
postscript by Harald Fricke,
English: NGBK, Berlin
French: "Un Machiavel a l'Usage des Enfants", Frac l'Haute Normandie, Rouen
Dr. Faustie's Guide to Real Estate Development, ("Dr. Fausties Tips und Tricks"), English and German both by Nautilus Verlag, Hamburg, postscript by the artist.

1995 "The Institute of Theore(c)tical Painting", Kunst-Werke, Berlin, catalog
"A Child's Machiavelli", NGBK, Berlin, a kid's book for adults, after Niccolo Machiavelli
"The Institute of Theore(c)tical Painting Presents Claudia Hart", Artpress 206, October,

1994 "Hunter Reynolds", Künstlerhaus Bethanien, The Memorial Book catalog (pub. 1996)
"Anatolij Shuravlev: an interview with Peter Herbstreuth", Kunst-Werke Berlin catalog
"Inner Space", New Observations, #104: January/February 1995
"Claudia Hart: Ecke Bonk", Below Papers, 3: Spring

1993 "A Formal Analysis of the Representation of Pain," graphic presentation for "Fontanelle" catalog, Kunstspeicher, Potsdam
"In and Out of Love," "Postscript," catalog essays for "Love Again," published with exhibition "Love Again," Künstraum Elbschloss, Hamburg
"The Institute of Theorectical Painting," ´manifesto` for group exhibition, Rainer Borgemeister, Berlin
"'Il n'y a pas hors-texte': a Real-Life Fiction", Below Papers, 1: Autumn

Trade Press

Mary Thomas, “High-tech art looks at man and machine relationships,” Pittsburgh Post-Gazette, Monday, March 20, 2006

Kurt Shaw, “Interactivity: Can We Fall in Love with a Machine?” Pittsburgh Tribune-Review, March 6, 2006. Entertainment Section, pp. 1-2

Katherine Brinton, “Wood Street Romances the Software,” The Pitt News, February 7, 2006, pp 215-216

Marek Fuchs, “Out of the Darkroom Age,” The New York Times, Photography, May 22, 2005 (with color pictures), Pg. 22

Jonathan Miller, “Formerly Known as Prince,” The New York Times, Book Review, September 3, 2005, Pg. 23

Cate McQuaid, ”‘Characters’ Takers Viewers on an Unsettling Virtual Trip”, The Boston Globe,
October 15, 2003, Pg. C15

Ken Johnson, "Claudia Hart and Sam Samore", The New York Times, Friday May 5, 2000, p. E41

Max Henry, "Gotham Dispatch," Artnet, posted April 24, 2000

Andrea Scott, "Claudia Hart and Sam Samore", The New Yorker, May 8, 2000

Hubert Herring, "Tips on the Power Play, From a Past Master," The New York Times, Sunday, December 12, 1999 (with illustration)

Christa Salchner, "Hommage an Alfred Hitchcock," Die Sudtiroler Wochenzeitung, 19 August, 1999, pages 36-37 (with illustration)

Ruth Maurer, "Oh Hitchcock", springerin, April, 1999 , (with illustration)

Artist's Works, animated billboards reproduced in The Sandard, July 17, 1999, p. 16, 17

Joyce Jensen, Think Tank, The New York Times, December 21, 1998, p. B11 (with illustrations)

Manuel Bonik, Kunstip der Woche, Spiegel Online, July 2-9 1997

Corinna Weidner, Claudia Hart, Shift e.V., Prinz, July 1997, p. 87

Harald Fricke, "Im menschlichen Massstab bitte", intverview, die Tageszeitung, Saturday/Sunday, July 5/6 1997, p. 35

Christoph Bannat, Barchens Big Business: Claudia Harts hinterlistige Bilderbuecher fuer Erwachsene, German Vogue, March 1997, p. 184.

Katrin Bettina Muller, Kunst Notizen, Tip, 22.8.96 - 4.9.96, p. 18.

Peter Herbstreuth, Wie eine Armee von Gartenzwergen, Der Tagesspiegel, Nr. 15 720, Dienstag, 20 August 1996.

Harald Fricke, Psychedelische Effekte mit Brust warzen, Die Tageszeitung, 17 August 1996

Veit Stiller, Machiavellis Ratschläge für Kids, Die Welt, 7 August 1996

"fos", "Kinder sind die besten Machiavellisten", Frankfurter Allgemeine Magazine, 30 Woche, 26, July 1996, v. 856, pg. 30

Manuel Bonik, "Machiavelli für Kids": ein 1A-Handbuch für Egoisten, JETZT! (Süddeutsche Zeitung), 23.6.96

Holme Friebe, Claudia Hart: Machiavelli für Kids, Konkret, July 1996, pg. 48

Andreas Quape, Leute, die betrügen, sind erfolgreicher, Neues Deutschland, 28 May 1996 (falsely dated 29.2.96), pg. 23.

Bernd Skupin, Kindermacht, Vogue, June 1996, pg. 30.

Henning Hofmann, Nach der Landtagswahl: Hilfestellung für die unerfahrenen Grünen, Gegenwind, Kiel, May 1996, pg. 50.

Jorg Lau, Machiavelli für Kids, "Literataz", Die Tageszeitung, 28 March 1996, pp. 17-22.

Dr. Irmtraud Gutsche, Machiavelli für Kids (Literaturbeilage zur Leipziger Buchmess), 27 March 1996

Ronald Gutberlet, Der kleine Fürst, Szene, Hamburg, April 1996

Annie Erfle, "Claudia Harts satirische Bilderfolge..." Süddeutesche Zeitung, 4 Nov 1995, pg. 16

Brigitte Werneburg, Die Zukunft liegt bei Machiavelli und in Miederwaren, Die Tageszeitung, 28/29 October 1995, pg. 29

Christina Wendenburg, Bösartige Parabeln über Moral und Macht für Kinder, Berliner Morgenpost, 27 Oktober 1995

Andreas Quappe, Kondition für die Ellenbogengesellschaft: Claudia Hart, Ein Machiavelli (nicht) für Kinder im Antiquariat in der Ackerstraße, Neues Deutschland, 25 Oktober 1995

Katrin Bettina Müller, Machiavelli also Struwwelpeter: Claudia Harts zynische Kommentare zum Kunstbetrieb, Der Tagesspiegel, 25 Oktober 1995, pg. 26

Ch. W., Wie man eine Gesellschaft ohne Ideale bloßstellt, Berliner Morgenpost, 13 Dec. 1994

Ronald Berg, Out of America, Zitty, Berlin, December 8, 1994

Knut Ebleling, Wie ein Bekenntnis zur Stadt, Berliner Zeitung, December 1, 1994

Katja Reissner, Die eigene Stadt, Der Tagesspiegel, Berlin, November 19, 1994

Harald Fricke, Kunst in Berlin jetzte Institute for Theore(c)tical Painting, Hahn, Broodthaers, Die Tageszeitung, Berlin, 25 June 1994. pg. 38

Peter Rubel, Vogue, Germany, February 1994, pgs. 116-118

Hajo Schiff, Hysterische Stoffpüppchen, Die Tageszeitung, Hamburg, December 8, 1993

Peter Herbstreuth, Das Rollenspiel des Gesichtsverleihs, Der Tagesspiegel, Berlin, Nov 20 1993

Harald Fricke, Die Künstlerin als Leerstelle, Die Tageszeitung, Berlin, November 15, 1993

Birgit Sonna, New World Order, Süddeutsche Zeitung, July 21, 1993

Elfi Kreis, Verlass mich nicht, Tagesspiegel, Berlin, April 27, 1993

Harald Fricke, Bedrohlicher als die bellende Töle, Die Tageszeitung, Berlin, April 17, 1993

Peter Herbstreuth, Vor dem grossen Sturm, Tagesspiegel, Berlin, April 15, 1993

Marc Ruyters, Grappig, Knack Weekend, May 12, 1992

Herbert Jochmann, Dürer und Holbein als Fundgrube?, Die Tageszeitung, Berlin, Feb 19 1992

Werner Langer, Dreifach genäht, Die Tagesspiegel, Berlin, January 28 1992

Simone Dattenberger, Münchener Merkur, #15, January 18, 1991

Claudio Jaeckel, Aktuell in Münchener Galerien, Süddeutsche Zeitung, #20, January 24, 1991

Christoph Wiedemann, Kunst-Tips, Süddeutsche Zeitung, #19, January 23, 1991

Christine Temin, Hart's visually simple works carry complex messages, The Boston Globe, 26 Oct 1989

Art Journals

Sura Woods, Arts Monthly, Vol. 1, No. 9, February 2005, “Artists Explore Perception: the Exploratorium,” pp 1, 3-4

Kathy Brew, IEEE Multimedia, Published by the IEEE Computer Society, Vol. 11No. 1; Jan-March 2004, pp. 1, 4-7

Scott Reuscher, Arts Editor, Feature 09.01.03, “Deafening Dissonance”, on-line publication: www.artseditor.com,

Dena Schottenkirk, Artbyte, Vol. 2, No. 2, Summer 1999, p. 102

Wolf von Brincken Kunstzeitung, December 1996, nr. 4
"Subjektive, Claudia Hart: Kunst und Literatur, p. 19

Justin Hoffman, Kunstforum, May-September 1996, vol. 134, "Liebe Kinderlein", p. 493

Sumie Kawai, BT (Japan), January 1996, "Berlin", pp 106-107

BT (Japan), June 1996, vol. 48, "Claudia Hart", pp 68-9, 81-3

Claudia Hart, Art Press, October 1995, "L'Institute of Theore(c)tical Painting, Hôte du Kunst-Werke de Berlin de juin 1994 à juin 1995", pp. 176-177

Paul Ardenne Art Press, September 1995, "Claudia Hart, Galerie Laage-Salomon", pg. 77

Michèle Cone, Claudia Hart, New Observations, January/February 1995, "Expatriation, Homelessness and Modernity", pp 2-3; Inner Space", pp 16-20

(anon.) Galleries Magazine, December 93/January 94, pg. 9, "Love Again"

Justin Hoffmann, Artforum, December 1993, pg. 91

Eva Karcher, Art, 10: October 1993, pg.70, "Claudia Hart: Rollenspiele für eine neue Weltordung,"

Birgit Sonna, Kritik, 4, September 1993, pgs. 88-92, "New World Order"

José Lebrero Stals, Flash Art, Summer 1993, pg.120

Mark Mayer, Galeries Magazine, April/May 1993, pgs. 62-63, "Claudia Hart"

Michèle Cone, Art Press, Janvier 1992

Robert Mahoney, Contemporanea, June 1990

Dena Schottenkirk, Artforum, June 1990

(artist's contribution) Journal of the College Art Association, June 1991

Joshua Decter, Arts Magazine, May 1990

(author unknown) New Yorker, 'All Around the Town', March 5, 1990

David Bonetti, San Francisco Art Examiner, January 5, 1990

Miles Unger, Art New England, December/January, 1990, pg. 38

(artist's contribution) Bomb, Winter 1990, "Centerfold'

(artist's contribution), Balcon 5, 1990

Holland Cotter, Art in America, May 1989

(artist's contribution), New Observations, April 1989

Jack Bankowksi, Art Issues, April 1989

Tom McGlynn, 108 Review, March 1989

Theodor von Kunstadt, Flash Art, March/April 1989

Robert Mahoney, Arts Magazine, March 1989

Kirby Gookin, Artforum, March 1989